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"Exporting Raymond"

Written, directed, and produced (with a few co-producers), by Philip Rosenthal, this is the true story of what it took for the creator of the TV sit-com, "Everybody Loves Raymond," to get it made into a Russian version. It was hilarious laugh out loud in many places, funny in others, and above all an amazing documentary of the cultural frustrations Rosenthal suffered. It may not be everybody's cup of Vodka, but I found it totally engaging, and enjoyed it thoroughly. I was impressed with Phil's patience and good manners in the face of almost constant obstacles he had to overcome behind - and during -- the scenes. Mostly shot in Moscow, it certainly did not make Russia, nor the Russians, look very appealing. Definitely not something the Russian tourist bureau (do they have one?) would promote! There were clips from the original show that was so popular in the U.S.A., contrasted with the remake in Russia. Problems included: casting; translation; bureaucracy controlling Russian actors time and availability; rehearsal times, just to name a few. I'm going to give this Documentary THREE and a HALF STARS.

Who Knew?

Anyone out there who knows why Google refuses to let me change the email address on this blog? I will run out of www.sbcglobal.net usage in a few weeks, because I have switched my email address to www.gmail.com Any information gratefully received. (I posted a similar query the other day, which has disappeared. Let's see what happens to this one. Sigh.

Anyone out there have a solution??

Dearly Beloved readers, and " followers," known and unknown, This may be the last -- or nearly the last -- Blog from Yours Truly, because I have changed my email address from sparwha@sbcglobal.net to sparwha@Gmail.com (I understand that the sbc account will still be operational for about 30 days, but after that, it will no longer be functioning.) Of course I tried to switch over to the Gmail address for this Blog, but Google informed me, and I quote, "Sorry, Gmail address is not allowed to be the primary address of this account." I have enjoyed sharing my reviews with you, and would like to continue, but, I don't know how to do it. Any suggestions gratefully received. Blessings to you all, always, SP

"Rio

Better than I expected! Very colorful (full of color!) animation; lots of action, and an actual plot. Excellent voices. Saw it in regular 2D which was perfectly fine and I didn't feel/see I was missing anything except the surcharge I would have paid for 3D.

"In a Better World"

Well deserved winner of the Oscar for best Foreign Language Film - and a Golden Globe as well, this is a fascinating, suspense filled drama. It pulls no punches showing the complexity of human values, emotions, and reactions from various perspectives. In Danish, with subtitles, featuring a marvelous cast, expertly directed by Susanne Bier. The impact of events in the adult world, such as divorce in one situation, and the mother's death in another as seen through the eyes of two young boys. They team up to bring what they perceive (revenge) as justice in a violent situation. Excellent photography, scenes shift from the schoolyard (bullying at its worst),to a medical outpost in Africa (selfless service at its best), with flawless acting throughout. The title refers to what we all wish for, "a better world," which this one, obviously isn't, though some of the characters are trying to improve it through living up to their inherent decency and moral fiber. A movie well worth seeing. FOUR STARS

"Jane Eyre"

Sir Laurence Olivier owned the role of "Rochester" in the original film version of Charlotte Bronte's immortal love story, which has been made, and remade a few times since then. But I found Michael Fassbender equally fabulous as Mr. R in this latest screen treatment. Needless to say, marvelous young actress, Mia Wasikowska, more than lives up to her well deserved reputation playing the (plain) "Jane" governess. The dialogue, which must have been taken from the book, is so brilliant, that I want to go back and read the book again! Jamie Bell is well cast as the Parson, whose family (two sisters and he) shelter Jane. Dame Judi Dench is memorable as always, as "Mrs. Fairfax," the Housekeeper for Mr. Rochester. Congratulations to Director, Cary Fukunaga, job well done! FOUR STARS !

"Water For Elephants"

So sad, that this story, which made great reading as the book by Sara Gruen, makes such a mess of the movie! Directed (misdirected?) by Francis Lawrence, starring handsome Robert Pattison (known to the tween crowd from his success in the "Twilight" movies) as "Jacob"; scantily clad Reese Witherspoon (okay, she looks pretty) as "Marlena"; and Christopher Waltz playing her sadistic, obnoxious husband, "August," whom you can feel free to hate, the best thing about this movie was "Rosie" the elephant. Otherwise, if you enjoy the sweat, stink, and general disgusting aspects of what was definitely NOT the "Greatest Show on Earth," then you might like this film. I did not. I grudgingly say, and only for "Rosie," ONE STAR

"Henry's Crime"

The critics pretty much didn't like this film, and I can understand why. However because of performances by the outstanding Vera Famiga, the always excellent pro, James Caan, and Keanu Reeves, I liked it! Okay, it's not a great movie, but I absolutely love Famiga, Caan, and even Reeves was perfectly suited to his role. The concept -- of a bland toll booth cashier (Keanu) whose "friends" sucker him into driving the getaway car while they rob a bank. He gets caught (they do not), and he goes to jail, without ratting them out. In prison he meets James Caan, a lifer who actually enjoys his situation in jail, and avoids parole every time it comes up. He's a confidence man. They share a cell, and he takes the younger man under his wing, so that when Reeves is finally released, he comes back to ask Caan (playing "Max") to join him on the outside and help him to actually commit the crime for which he has already done the time. Reluctantly, "Max" agrees, and the story unfolds. It is discovered that there is a hidden tunnel ( or several) that run from underneath The Bank (the original target) to underneath the old theater next door to it. The Play IS the Thing, and this time it's Chekhov's "Cherry Orchard," in which Vera Famiga is starring. Among other things, there's a director who yells a lot at Vera on stage. Because they need access to the theater, somehow they, probably "Max," manage to have Keanu, discovered to be "a natural," join the cast. (He looks great in a beard, and does his best work acting in the play!) So, there's a love story, there's the heist, (lots of cash in the vault!). there's the digging in the tunnel. Problem: Where to put the dirt? I did NOT like the music used throughout the film. So, I have to take off points. Plus, it just was "off" somehow, possibly the script? The Direction? (Malcolm Venville) Much as I loved the STAR POWER of the actors, I have to honestly limit the film to TWO STARS.

"Bill Cunningham, New York"

If you read the New York Times, or live in New York, you already know Bill Cunningham as the guy who rides around New York city on his Swinn bike, walks a lot, and photographs people who are wearing clothes that he finds newsworthy -- for he writes (and illustrates with his photos) a regular fashion column for the NYT. He's not interested in celebrities as such, only if they happen to be wearing something of interest. I had the pleasure of discovering Bill for the first time when I saw this wonderful documentary the other day. Many celebrities were interviewed for the film, including the Editor of Vogue, Anna Wintour, who said, "We dress for Bill." Anyway, I thoroughly enjoyed the movie. I learned Bill is an exceptionally likeable, truly kind and decent person, with the highest standard of integriy. You just have to admire him. Despite my personal disinterest (more like horror when I see what's "in") in "fashion." Directed by Richard Press, this film surely deserves FOUR STARS!

"Hanna"

Sorry, I must be getting soft in my old age, but "Hanna" had just too much violence for me; almost non-stop. Though it certainly kept my attention, I'm not sure it's healthy for me to secrete so much adrenalin. Saoirse Ronan, the remarkably marvelous young actress, was, of course, outstanding in this starring role as Hanna -- a product of training as well as (watch out, here comes the spoiler) some genetic altering to make her a fearless, almost indestructible assassin. Eric Bana, playing her father, whom we meet out in the wilds of Finland in the opening scenes where he's making sure she can survive against anyone and any challenge, is also wonderful. Soon we meet Cate Blanchette, the CIA operative who is in charge of finding these two, in order to eliminate them. Hiss, boo!!! With a few other small parts well played including some young children, plus fine Photography ( lots of chase scenes), Directed by Joe Wright, I can still only offer TWO STARS, but, that's just me.

"SOURCE CODE"

Jake Gyllenhaal was terriffic in the lead role. Wow! Michelle Monaghan, couldn't have been better as the beautiful, appealing, charming girl he meets (and obviously falls in love with) on the train, a train that is/was blown up in 8 minutes, during which his (government) mission is to find the bomb, and the bomber. This Science Fiction story written by Ben Ripley ("Believe it or Not," coincidence?!) and Directed by Duncan Jones, was wonderful, totally engaging and fascinating to watch. The superb Vera Farmiga (from "Up in the Air" with George Clooney) played Jake's "handler" or "control"??(I'm using this for want of better terms.) Basically, she's in charge of his recurring 8 minutes on the train, to solve the mystery, and obtain information. Jeffrey Wright plays her boss, "Dr. Rutledge" who appears from time to time to supervise the mission. (He explains the technology of "Source Code.") He's excellent, too! FOUR STARS

"The Adjustment Bureau"

Well, critics gave this mixed reviews, and I can understand why. It's not bad, but not really very good, because of, well, I'm not exactly sure why. What I really enjoyed, actually loved, was watching Matt Damon and Emily Blunt. They are so great, one would have thought they could make up for the flaws in the rest of the film. Unfortunately, even they could not compensate. The premise showed promise, but the way it was executed just didn't make it hold up. I'm sure by now you know the story is that our actions are controlled by a "Chairman" and his staff who make sure we live our lives according to the 'plan' already written by the Power/s that Be. So, basically forget about Free Will (except for minor choices, still within the grand scheme of things.) By a five minute "mistake," Matt Damon's character does not spill his coffee on schedule, therefore, he catches his bus, and meets Emily on the bus. Then he runs into her again (also not according to the plan). Then he "accidentally" goes through doors he's not supposed to, and discovers the staff (I forget what they are called, the Hat Wearing minions who watch the progress of us lowly human creatures) . Anyway, will Matt beat the system? Will he confront the Chairman? Can Emily achieve the prima ballerina status she was supposed (destined?) to gain in this lifetime? Will he be elected Senator (and onward to the Oval Office)? Well, only because of the two actors, who as far as I'm concerned can do no wrong, I'll give it TWO and a HALF STARS.

"The Princess of Montpensier"

Mostly fascinating, though it lags in a few places. Starts off with a brutal, bloody battle scene. Takes place in 1562 during the Catholic-Protestant wars. As far as I'm concerned, the hero who steals the show ( despite excellent acting by the entire cast and the great beauty of "Marie", the Princess played by Melanie Thierry), is Lambert Wilson, playing the aging (I guess it's all in the eye of the beholder -- though he's definitely not young, compared to the dashing young cousin she wants to marry, and the husband she is ordered to marry by her father (for political reasons.) Still, Wilson's "Count Chabannes" is fantastic! (Remember him from the Award winning, "Gods Among Men") An Epic costume drama, skillfully directed by the renowned Bertrand Tavernier, this film contains enough duels, and brutal battle scenes to satisfy the most bloodthirsty viewer. (A bit much for me, actually) Not to mention a few passionate encounters, plus the wedding night scene (probably historically corrrect), attended by relatives and interested parties awaiting the results. The audience in my theater (probably Franco-philes) applauded at the end. Fine sub-titles.It was about two and a half hours l- o- n- g. (I got tired) but, nevertheless: THREE and a HALF STARS.

"Hop"

"Hop" has perfectly, seamlessly blended live people with animated characters. I really enjoyed this movie. It was fun, visually excellent (did not need the annoying 3D effects to make it colorful and exciting), and yes, I'm not ashamed to admit, I loved the adorable main Bunny, "E. B" voiced by Russell Brand. The rest of this report may contain "spoilers" -- so if you can just take my word for it, and go see it, you don't have to read any more. Otherwise, here are some plot details: James Marsden (wonderfully) plays "Fred," who accidentally almost runs over "E.B" who pretends to be quite injured in order get sympathy and especially to get a place to stay, since he has run away from Easter Island, where he was scheduled to take over the family business (?) profession (?) duty (?) responsibility(?) of being the Easter Bunny. His father, voiced by none other than Hugh Laurie, is about to retire, and now it's "E. B's" turn to deliver all the Easter Baskets and candy all over the world (except in China, which isn't on the itinerary yet). The thing is, "E.B" doesn't want to BE the Easter Bunny (with all the inherited magical powers). He want' to be a drummer. (And he's actually pretty good at it!) Well, add to the mix a live appearance (fun cameo ) by David Hasselhoff), plus a mistake by "E.R" who shows up at the Playboy Mansion because he reads that there are always "lots of bunnies" there. Meanwhile, "Carlos," the main chicken in the Easter Egg Factory, voiced by Hank Azaria - with an irresistable accent you can't forget - decides that since "E.B" is missing, he should get the job. I don't think this is a movie just for little kids (though they will enjoy it). If you are young in heart, and not cynical, and not looking for any big message, then I recommend "Hop" for a couple of stressfree hours (actually 90 minutes) in a movie theater. THREE and a half STARS

"Limitless"

OK. Original concept: A pill that allows you to access that 80% of your brain that ordinarily isn't working. Great acting by Bradley Cooper, who is the pill popper, "Eddie." (Eddie's ex-brother in-law provides the stuff, played by an actor whose name I don't remember, is perfect in his role.) Well directed by Neil Burger. And, of course, who can resist the always excellent Robert DeNiro on screen? He enters the picture after Eddie has been transformed (thanks to the drug in his system) from a down on his luck, failed writer, whose 2nd wife (Abbie Cornish) has left him, to a brilliant, successful (making huge amounts of money) financial wizard. Just one little problem with the pill (before you rush to your local pharmacy), it is liable to kill you. Anyway, I mostly enjoyed it, except for too much violence in places ( although not all pervasive, what there was, was disturbing to me). For originality and fine acting, I would rate it THREE STARS.

"The Lincoln Lawyer"

From a novel by Michael Connely, who shares writing credits for the film(I think it's based on a novel he wrote), I can't say I "enjoyed" it, because it was mostly uncomfortable to witness (note the - no pun intended - legal term) the greed of Matthew McConaughey who plays a defense attorney who seems to have no scruples about getting his guilty clients acquitted -- for a substantial fee, of course. Even worse was finding out the truth about his most high-profile (extremely rich) client, "Louis" played by Ryan Phillippe, who consistently proclaims his innocence. I disliked the type of photography used to illustrate the story of the crime being told by two different people -- a sort of a reddish lens made it unpleasant to watch. The best aspect of the movie was the excellent acting, by the entire cast, particularly, of course McConaughey, Marisa Tomei ("Maggie," for the prosecution), and Wm. H. Macy as "Frank," the defense Investigator. Very few of the characters were likeable, and if it were not for my appreciation of the acting and my curiousity to see how it would end, I would have walked out. Still, because of the excellent acting, I'm going to give it TWO and 1/2 STARS.

"Jouesse" (Queen to Play)

Superb, subtle, sophisticated! One of my all time favorites, Kevin Kline in a marvelous performance (and speaking French perfectly, according to my untutored ear) is paired with the remarkable Sandrine Bonnaire. She plays a woman married to a blue collar worker. "Ange," a role expertly rendered by Francis Renaud. She, as "Helene" works as a chambermaid where she sees a couple romantically playing a game of chess, with hands caressing between moves, and exchanging loving looks. She is fascinated with the chess pieces and the appearance of the board. She buys her husband an electronic set as a birthday gift. He is not thrilled. She, however, gets up several hours early every day, before she goes to work, and starts to learn the game. She discovers that one of the people for whom she cleans, "Kroger" (enter Kevin Kline, an American ex-pat) has a chess set, and as events unfold, she gets him to teach her the game. Takes place in beautiful Corsica, exquisitely filmed and accompanied with perfectly appropriate beautiful music that enhances every scene. (Subtitles are great.) Francis Renaud and Kevin Kline are a joy and a wonder to behold as every thought, every emotion is revealed. Directed by Caroline Bottaro, this is a totally satisfying film! FOUR STARS

""Potiche"

"Potiche" means "Trophy Housewife." And that's the unpleasant role that our heroine, Catherine Deneuve, has been relegated by her tyrannical husband, "Robert Pujol," played by Fabrice Luchini. Talk about the need for Women's Lib! She, "Suzanne," takes over the running of her husbands umbrella factory (seems like a ridiculous idea, to start with, but actually the factory is kind of interesting) where the workers have gone on strike (rightfully so!) and taken Mr. Pujol hostage. She enlists the help of the incomparable Gerard Depardieu (a former lover -- one among many, actually, as you discover as the film unwinds) who is high up in government, a respected "MP" who helps her negotiate with the striking employees. Suzanne very compentently takes over the running of the factory. The Pujols have several grown children, who bring their problems, strengths and weaknesses to the story - and to the factory. In every aspect, this is an excellent film. (Enjoy the music, too!) With the French laissez faire when it comes to sex, the complexity of emotions, loyalty, and betrayal -- well, here's another fascinating story, well told. (It was originally a play.) Just watching the marvelous Deneuve and Depardieu is a treat to be savored. (Because I haven't been able to go to the movies for several weeks, I didn't want to be disappointed. Therefore, I did due diligence very carefully -- reading several professional critics reviews before venturing into a theater. I was not disappointed, and I don't think you will be either.) FOUR STARS

"Win Win"

Many names were listed as Producers of this film, so I don't know which of them is responsible for doing the job of Casting Director, but whoever it is, BRAVO! MAGNIFICENT! Wise and witty use of SPLENDID talent! And wise and witty dialogue. Especially noteworthy, the quiet, soft spoken (but outstanding and powerful in the wrestling ring) is newcomer young Alex Shaffer, who plays "Kyle." I have never, ever wanted to watch wrestling, nor do I intend to do so ever again, but this film, despite the wrestling, was just great - and I thoroughly enjoyed it. Even the wrestling scenes were interesting. (Maybe because it was kids, actually doing the wrestling, and not faking it?) Paul Giamotti and Jeffrey Tambor as part time volunteer coaches are absolutely flawless. (Giamotti's "Mike" is a lawyer.) If the other actors (all of them!) weren't so excellent, Bobby Cannavale as "Terry" might have stolen the show. A one of a kind plot (several story lines interweaving) kept me interested and caring about what was going to happen next. FOUR STARS

Home Entertainment -Sigh

Still not feeling well enough to go out to the movies, so I keep myself entertained with books (used paperbacks -I buy at a discount on line from Alibris) such as Protect and Defend by Vince Flynn; and on my Kindle (currently reading One Shot, a Jack Reacher novel by Lee Child, one of my favorite mystery writers). Then added to my TiVo regular viewing (addiction?) is "Jeopardy!" (Hard to get that annoying musical theme that sounds a lot like "I'm a Little Teapot" out of my head, but neverthe less --) Also, wondering why Alex Trebeck wears his glasses sometimes, and not others. Another annoying but addictive (for me) program is "Dancing With the Stars." Though I'm not thrilled with their recent addition of a dance troupe. Thank God I can fast forward at my discretion. (and so can you, or just delete!!!) But, my most exciting entertainment event has been the rediscovery of the Author, Noah benShea! Beautifully written prose, each sentence lovingly crafted. I was first introduced to this wise and open hearted philosopher, through his first book, the wonderful Jacob the Baker. Followed by Jacob's Ladder. Then in 1991 at the Book Fair held at the UCLA campus in Westwood, California, I bought his latest, Jacob's Journey, which he graciously autographed for me (and not just with his signature, he penned a lovely message!) benShea's books are not lengthy, not a lot of pages, but each paragraph a gem to be savored, each sentence a facet to be admired. (Can you tell I'm enthusiastic about his books? His bio says he's written 20 of them, and perhaps they are not all as fantastic as the ones I've read, but, I'll let you know as I continue my exploration of Home Entertainment.

Physical report - not required reading

I'm way behind on my movie going, due to a short bout with the flu starting on March 2nd, (knocked out the fever fast with "Tamiflu") followed by an undiagnosed (so far) weird, nasty, red, angry rash on my left leg that emerged on March 3rd, and grew progressively worse - spreading north above my knee, until Friday when a trauma doctor put an impressive bandage (quite tight) on my leg) and added another anti-biotic to the two I was already taking. So, the bandage comes off tomorrow, and then we'll see. I've watched lots of stuff on TV, lying with leg elevated, including the somewhat recent "Fairly Legal," which isn't great, but is quite watchable particularly because of the charming lead actress, Sarah Shahi who plays "Kate Reed" the lawyer. She has a great smile. "The Good Wife" continues to deliver excellent episodes, and did I mention I'm addicted to "Jeopardy?" Did you catch "Every Human Heart" on PBS? In it, Jim Broadbent excellent as usual. Much as I like "White Collar," the captions are practically useless, and with my somewhat challenged hearing, it's almost not worth the struggle to watch it. Does anyone know to whom I can complain about the pathetic captioning? Trying to find something light and funny to watch is difficult, and I admit to following "The Big Bang Theory." It's an interesting contradition in stupidity and intelligence. But then, aren't we all. Prayers gratefully accepted. God bless us all. SP

"Of Gods and Men"

In French with excellent sub-titles, this is an inspiring portrayal of courage born of faith. Superb acting, exquisite cinematography (Caroline Champetier). Purposely, (almost excruciatingly) slow-moving, yet brilliantly paced this is a film whose every scene can be savored and appreciated. Directed by Xavier Beaufois with intelligence and sensitivity. (He also shared writing credits.) The plot (based on real events and real people)revolves around a Trappist (Cistercian) monastery in Algeria during the 1990's. It shows the army -- plus terrorists - impinging upon the peace and tranquility of the life of the monks. The monks are French by the way. They are not young. they have been in Algeria for many years. Days are spent in useful pursuits as well as devotion expressed with magnificent liturgical chanting which permeates their daily routine and rituals. The expressive faces of each of these exceptional men will be etched in your memory. As true Christians, giving medical treatment to anyone who came to them, without discrimination, the monks served the villagers -- most of whom were Muslim. The cast list is headed by Lambert Wilson and Michael Lonsdale, but every single actor is superb. FOUR STARS!

"UNKNOWN"

Warning, it's quite violent in some places. Also, I'm not a big fan of car chases. "Unknown" has several lengthy and spectacular ones, But I can find no fault with any other aspect of this film. I have to give it FOUR STARS despite any imperfections. Probably the 4 star performance by Liam Neeson accounts for my unabashed admiration and enthusiasm. He is definitely a force to be reckoned with! What a marvelous, spectacular performance! Excellent, suspenseful plot (OK, maybe you have to "suspend disbelief" - but so what?). Neeson plays the part of "Dr. Martin Harris," enroute, with his wife "Liz," well played by January Jones, to attend a scientific convention in Berlin. While checking into their hotel, he realizes he left his briefcase at the airport, and dashes off frantically in a Taxi to retrieve it. In a freak accident in the cab, driven by Diane Kruger, he is nearly killed (she saves his life). He is in a coma for 4 days. When he wakes up, he can barely remember his name. But as he starts to recall the conference he is supposed to be attending, he leaves the hospital prematurely. The doctor warns him he should wait - but he feels the urgent need to see his wife, and hurries to the Hotel where the conference is being held. When he sees his wife, she tells him (and everyone else) that she does not know who he is, and introduces Aiden Quinn as her husband, Dr. Martin Harris. Add to the mystery, a frightening attempt on his life in the hospital, and then a bunch of thugs following him and trying to kill him. Bruno Ganz (wonderful old actor!) plays "Jurgen" a P.I. (proud to be a former member of the East German secret police) who tries to help him. Neeson was given Jurgen's contact information from a nurse at the hospital with the explanation that "he finds people." Frank Langella adds his acting talents to the film. So, who is "the real" Dr. Martin Harris? Why is "Liz" denying his identity? What is going on? I may even see it again, now that I know -- but I'm not going to spoil your fun by telling you ! Don't read any spoilers; just go and see it for yourelf. Praise for the Director: Jaume Collet-Serra and the Screenwriters: Oliver Butcher and Stephen Cornwell, "Unknown" is based on the novel: Out of My Head by Didier Van Cauwelaert (I hope I spelled all these correctly.)

Two Reviews: A Comparative Study

Why was "Just Go With It" not worth more than ONE STAR, whereas "Cedar Rapids" earned THREE STARS on my enjoyment meter? My determining factors are: (1) Dialogue (script provided by the Writer/s), (2) Actors delivery of those words, and (3) the Director. The only redeeming feature of "Just Go With It" was Jennifer Aniston's performance. She was excellent! Otherwise, though Adam Sandler wasn't bad, and the little girl (about 11 years old?) was quite good, there were too many scenes that I found offensive. I noted later that there were six different writers credited for the film. The result was really a hodge-podge, a series of scenes that didn't really mesh into one cohesive whole. There's an old joke about things decided by committee! Or, perhaps it was, "Too many cooks spoil the broth." (I saw the name of the old pro Abe Burrows on the list of writers. I guess he was outweighed by the the other five.) I really don't like potty "humor" -- I find it offensive. Just about every character in the film is lying about something, including Nicole Kidman (I almost didn't recognize her) who has a small but unpleasant part to play. Then by contrast, there's "Cedar Rapids" an original take on the "country boy goes to the big city" theme, done very cleverly, with an excellent cast, headed by Ed Helms as the naive, somewhat innocent (despite his liason with his former school teacher, Sigourney Weaver - who is wonderful in her part, of course) small town insurance salesman who is sent to the "big city" of Cedar Rapids, Iowa, to attend the Insurance Companies Convention. He has experiences he didn't expect. Admittedly it has a few rather "off color" lines, primarily delivered by John C. Reilly, but the film didn't depend upon them. (And Reilly was actually good in his role, as was Steven Root, our hero's boss.) Written by Phil Johnston and marvelously directed by Miguel Arteta, "Cedar Rapids" easily earned my THREE STAR rating. (Would have been Four, if it hadn't been for the few crudities -- which in French, as I recall, means 'raw vegetables.') I must give special mention to one of the actors who, although she has a relatively small part, quite favorably impressed me: Alia Shawkat. She plays a prostitute named "Bree." She accosts our hero when he first arrives and asks him for a cigarette. He, of course, lectures her (nicely) about the health hazards of smoking, and offers her some butterscotch candies instead. Definitely Kudos to Anne Heche, Isiah Whitlock Jr. and everyone else in the fine cast of this enjoyable film.

"Biutiful"

Fabulous actor, Javier Bardem, playing a truly complicated (and conflicted?) human being who is a mixture of compassionate criminal, loving, protective father of two young children, married to a disgusting drunkard slut of a wife, with whom he doesn't live -- until circumstances lead him to share housing with her (you find later she is bi-polar), and BTW, he is dying of prostate Cancer. So he's trying to get all his financial affairs in order (put aside enough money to at least pay their rent for a year.) Oh, and also, BTW, he is gifted with the inner vision/communing with the dead and dying. He finds jobs for illegal Chinese immigrants in a factory (whose owner is a crook, who pays him a kick-back, so he doesn't have to hire union workers). Similarly there are the Chinese construction workers, who don't know beans about construction. There's also Uxbal's (Bardem's role) brother who mangages (owns?) what seemed to me to be quite definitely an X-rated hot spot replete with pole dancers, etc. I was not prepared for this! The music was quite effective and emotionally compelling, but horribly LOUD. Another thread of the story is that Uxbal has decided to have his father, who has just died, cremated, which will save money - not having to keep a niche reserved previously for the body. Fortunately (or unfortunately?) there were subtitles throughout this film, which takes place in Barcelona. Bardem is an amazing actor. If it were not for his mesmerizing presence, I probably would have walked out, but watching him kept me glued to my seat. His performance is, of course FOUR STAR, and all the rest of the cast are fine (the children are great), but the story is so miserable, and the most of the characters so despicable that I simply don't know how to rate it -- all things considered. So, maybe TWO STARS?

Another Year

Directed by Mike Leigh, this is fine film making, splendid acting, but ultimately, an unpleasant and depressing experience! How can that be? Well, despite the loving long term relationship of husband, Tom (Jim Broadbent) and wife, Gerri (Ruth Sheen), their "enabling" friendship with Mary (Lesley Manville) whose excessive drinking and alcoholic deterioration from season to season (as the title implies, "Another Year") is painful to watch. Technically, as some critics noted, it could be considered an excellent movie, I pretty much hated it. (This might be a good picture to show at an AA meeting?) For openers, Janet (Imelda Staunton), suffering from insomnia, and obvious depression, is shown trying to get a prescription for sleeping pills. This scene sets the miserable tone of the majority of the movie. I have to admit there are a few pleasant scenes, Tom and Gerri seriously enjoying gardening, for instance. And visits from their lawyer son. Tom's brother's wife dies, so you get to go to a pathetic little funeral, just to add another facet of sorrow. Sorry folks, I'm suggesting ONE STAR, and that only in appreciation for the performances. (Plus, I didn't walk out.) SP

"The Way Back"

Directed by Peter Weir, starring Ed Harris, Colin Farrell, Jim Sturges, and Saoirse Ronan, this is a wonderfully told story of survival, courage, character, and friendship. Some claim it's true, I don't care if it is or not. Against all odds, a small group of prisoners escape from a Siberian Gulag and walk 4000 (yes, four thousand) miles to reach India and safety. Not all of them make it. Some are political prisoners, some have been accused of being spies. Some have been "turned in" by relatives for criticising the Communist regime (those relatives probably having been tortured to get them to talk. One American, others Polish, Russian, and another country (I've forgotten which), they start off suspicious of each other, but through the exhausting trek and the hardships they share, they develop the kind of friendships that only such an experience of mutual dependency can forge. Marvelous Photography is spectacular. Absolutely splendid acting by everyone in the film. Of course I'm more familiar with Ed Harris and he is amazing in his role as "Mister" (the only first name he answers to) Smith. Colin Farrell remarkable as well. And Saoirse Ronan (good grief, such an unfamiliar name to spell, much less pronounce) holds her own admirably with these pros in a wonderful performance as a runaway girl who joins their group. Trudging through miles and miles and miles (meters) of snow, blizzards, then heat and desert clime, and crossing the Himalayas all on foot, nearly starving, nearly dying of dehydration, you can imagine this requires stamina just to watch. It may not be for everyone; I loved it! FOUR STARS for sure.

"Queen of the Lot"

Rarely do I walk out of a movie. Today I did. I suffered more than 30 minutes, and then escaped. Since I love movies (usually), I had figured a film about a famous star who is under house arrest (the ankle bracelet, you may recognize from "White Collar" -- a great TV series) for breaking parole (?) after too much booze, or was it drugs? I couldn't quite tell, and moves in to her manager's house, and takes it over, and gets her boyfriend -- also a famous star to come and stay also. Boring, boring, boring. I didn't care much for the lead actress. Directed, I believe, by Henry Jaglom -- supposedly known for better things. Oh, well. I can't give it any stars. The annoying dialogue sounded as if there were no script, and the actors were improvising. (and not doing it very well.) Sorry. I do try to be positive, but this was dismal. NO STARS.

"From Prada to Nada"

Truly a disservice to Jane Austin's Sense and Sensibility. Supposedly modernizing and changing the locale of her story about two wealthy, spoiled sisters discovering upon the death of their father, that they are destitute, this film is just not good. However, it was tolerable, and, as a Hollywood resident I could appreciate the street signs of Beverly Hills, Rodeo Drive, East Central LA, etc. Splanglish spoken here. So, ONE STAR for local color. (And I liked the actor who played a seemingly "tough guy" Mexican-American.) Really annoying music in the opening scenes. Don't waste your money.

"The Illusionist"

Written by Jacques Tati ("Mon Oncle") about 50 years ago, the script tells a story with practically no spoken words. (Maybe 20 words in the whole film!) Rather this animated film directed by Mr. Sylvain Chomet is a unique, one of a kind visual treat, telling the mesmerizng tale of a tall, lanky rather elderly (or at least not young), magic (?) performer who travels from town to town, venue to venue, and interacts with many other vaudeville performers as well as a young girl who mops floors and is fascinated with our hero. The art work is superb! I've never seen anything like it. Not computer generated, not Disneyesque, it's very different. Almost every frame is worthy to hang in an art gallery, where the detailed imagery could be fully savored. The characters do not move smoothly, but again, in a unique styylized manner. Perhaps you may remember "The Triplets of Bellemont" (or was it Belleview?) from a few years ago. Same director. Bravo. FOUR STARS.

"COUNTRY STRONG"

Even going in with low expectations, I was bored a lot of the 117 minutes of this film, which seemed to drag on and on. The highlights were when there was some country music (which I like) being played and sung. Strange that Tim McGraw (who is a CW singer), didn't sing, whereas Gweneth Paltrow and Garrett Hedlund did. So did Leighton Meester, playing the young, upcoming performer, rival to Paltrow. This was a pathetic look at the pathetic back stage lives of Country Western stars and wannabees. I really, really like Tim and Garrett and Gweneth (found Leighton tolerable -I think she's probably a better singer than actress), but the movie was just not very good. GP did a good job portraying the drunken, pill popping "superstar" "Kelly Canter," but not my idea of enjoyment to watch this kind of behavior. ONE STAR (I figure it deserves at least One, like an "e" for effort) Sorry. Shana Feste Directed.

"HARRY'S LAW" New TV Show

Monday nights, NBC. Don't miss it!! I'm so delighted by this fast moving, clever, in and out of the courtroom show, outstanding dialogue written by that excellent wit, David E. Kelley. ("Boston Legal" was his baby!) "Harry" is for Harriet, a lawyer, played by the marvelous, Kathy Bates. Nate Corddry and several other fine actors appeared on this first exciting episode. Great dialogue, unexpected humor. Hooray for "Harry!" FOUR STARS!

"DILEMMA"

Perhaps Allan Loeb, who is credited (more to the point, discredited if he actually wrote all the dialogue) with the script, got paid by the word, in which case, he made a bundle. Vince Vaughn, who used to be likeable, and Kevin James, ditto, play two very best buddies, and fast talk at, to, with, and on top of each other ad nauseum. Ron Howard, please, please find a better film to direct to redeem yourself. If you have figured out by now that I did not like this film, you are correct. Okay, there were a couple of scenes that were funny, for instance the "intervention." And the photography was fine. ONE STAR - since I did sit through it all, waiting to see the ending (which couldn't come soon enough). Winona Ryder and Jennifer Connelly were there, but so what? Nuff said.

Golden Globes and an Assassin

This isn't a movie review. It's my personal commentary on recent events that illustrate the human obsession with fame. Remember the theme song in "Cheers" (You want to go where everybody knows your name.. ? followed by and they're always glad you came). Well now, everybody knows Ricky Jervais' name. As for me I'm sorry he came to host the Golden Globes. He's been quoted saying he doesn't mind if people hate him. Such is the thirst for recognition -- it's why some kids act naughty -- just to get attention. He was way beyond naughty. Just rude and crude, mean and nasty insults that were far from funny. Then there's Tucson, Arizona, where an obviously mentally deranged guy shot and killed a number of people the other day in an attempt to kill a Congresswoman. Take a look at his photo in the newspaper. He is probably thrilled with the notoriety - if he's seen it. Of course, the public wants news. We want to know what's happening in the world. Unfortunately, getting written about, getting your photo in the paper, even if it's for being infamous, feeds that ego driven urge to be "recognized." What's that saying, "Any publicity is good publicity"? I don't know the solution. I just feel very, very sad to witness the insanity that is rampant in our society. Yes, Yogi Bhajan predicted that things would get worse before the actual Aquarian Age arrives. Almost another year to go, folks, so, be kind to one another, think positive, meditate,and pray. I'm trying to keep my eyes on the light at the end of the tunnel ( and remember to pay the electric bill on time). SP

"Animal Kingdom"

Heavy but fascinating, full of suspense and violence. It must be a really good film, because I liked it even though I had a hard time understanding the Australian accents! Nevertheless, this crime family (like a Melbourne Mafia- with a God-Awful grand-Mother who manages the menagerie of thieves and murders, her "boys"), said to be based on a true story(?), good grief! was so well crafted. The main character is 17 year old Joshua "J" Cody played by James Frecheville who is absolutely marvelous ( I would like to see him do more films, hopefully in America) as are the portrayals by everyone in the film, including his mostly violent and vicious uncles. (Though one of them seems a bit retarded and soft.) Upon the death of his mother (from an accidental overdose) J goes to live with his grandmother and uncles, from whom his mother had wisely kept him separated -- to protect him from their grimy lives. Alas, he has nowhere else to go, and so through observation and some tutelage, he silently, calmly (hardly reacts or speaks) learns the tricks of the trade. Guy Pearce, always a great actor, plays the Police Investigator, "Leckie" who tries to help "J" even though "J" won't rat out his nefarious uncle (the worst of the lot). Anyway, it's a good plot, excellent acting and should be worth FOUR STARS (if only I could have heard all the dialogue! I can't blame the Australians for my accent challenged hearing.) There's even a love interest, and issues of betrayal and loyalty are addressed. Writer/Director David Michod did a great job with this excellent film.

"Somewhere"

It was't all bad. Yes, there are some positive aspects to this film by Sofia Coppola, especially since there is plenty to talk about afterwards! I breathed a sigh of relief when it was over. Only 98 minutes, it felt like 6 hours. I definitely liked Stephen Dorff playing the rich and famous Hollywood star, "Johnny Marco" and Elle Fanning playing his daughter, "Cleo." Together, they were excellent, appearing very natural, inhabiting their roles and obviously comfortable with each other and enjoying the relationship. (I hope she gets some good parts and continues her career, Stephen also; I like him.) Living as I do in Los Angeles, growing up in Hollywood, I'm familiar with the landmarks, the freeways, and of course, the Chateau Marmont hotel, where (I am told) the celebrities stay, party, have casual sex, and wait for the call from their agents. I didn't hate this movie, but I didn't like it very much either. I understand that S.C. intended the slow pace, to indicate the boredom for "poor" Johnny in between gigs --and in that, she succeeded, it was definitely boring and tedious to watch. The pole dancing twosomes that came to entertain our hero actually became boring also, too much, for too long; at least that's my opinion. Oh, and the symbolism (is that the right word? maybe it's a metphor?) showing him racing his Ferrari at breakneck speed around and around (5 times I counted)an oval that went nowhere - opens the film. At the end, I think he's near the same track. All very "artistic" and neuveau something or other. Not for me, folks. Sorry. Some cinephiles may love this film.

"THE FIGHTER"

Talk about a visceral experience! Wow! Painful! Problem is that I despise boxing; I really hate it! (For some reason, I don't mind seeing people shoot each other in movies, when the plot requires it- but, beating up on each other? No thanks.) However, based on a true story, "The Fighter" is actually an excellent movie. Has to be rated FOUR STARS because I didn't see anything wrong with it ( as a movie). Flawless acting by marvelous cast headed by Mark Wahlberg and Christian Bale with Melissa Leo playing the Mother (a character you've got to find disgusting, as is the rest of the family). Foul language seems to be about the only method of communiction, even by Amy Adams, who plays the Mark Wahlberg's girlfriend. (Despite her language, there's something high class and sweet about her that shines through. First Class Direction by David O. Russell. Exceptionally fine photography throughout (too good -- especially in the graphic scenes of physical punishment that our hero took!) Perhaps you have to have an excess of testosterone to fully appreciate boxing; but this movie is so good that I liked it, even though I hated the brutality of it. I definitely like Mark Wahlberg -- he just didn't belong in that family - though he (the real life fighter character he played) made the best of it.